《山》 “The Mountain”

我的藝術創作方向主要是重新探索自己的經歷和宗教文化特質。

 

當唐卡文化與當代語言交織在一起時,我很好奇如何保留和分享獨特的本質,將新的元素整合在一起,同時又能對應當代藝術的語境。我嘗試以唐卡背後的精神作為呈現手法,重構內心所觀照的詩性世界。

My art focuses on exploring my experience and the nature of religion and culture.

 

What would happen when Thangka culture meets contemporary minds? I am interested in how to maintain the unique nature of Thangka while adding new elements to it, such that its uniqueness is not lost when put under a modern context. I try to sense and feel the philosophy behind Thangka - with all symbols set aside, the vary nature of Thangka became my language to represent. Such a language is used to reconstruct the poetic world grasped by my heart.

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​山

布,⽯膏粉,礦物顏料,膠⽔

尺寸可變

2021

 

我們不能把自己視作與物完全分離的純粹精神,亦不能把物視為純粹對象。對於物本身的知覺,我把自我的感知下載,透過身體的運動,把觀照的世界再現。

繪畫再不是對世界的模仿,而是一個自為的世界,只是以顏料、筆觸為承載,而不真的涉及世界本身、世俗真理和理性。

The Mountain

Cloth, plaster, mineral pigment, glue 

size variable

2021

 

We cannot be completely separated from the material world, nor can we see an object without any subjectivity. In the process of sensing the nature of the object, I download my subjectiveness; and through the movements of my body, I display the world of mindful sensation. 

Painting is no longer the imitation of reality, but an idiosyncratic world itself. Pigment and brushwork are both vehicles, without touching the nature, the materialistic truth or rationality of the world.